Dye House, Providence’s newest boutique hotel is located in a former wool mill built in the 1860s. Courtesy Dye House
If a young Ralph Lauren type who dresses in Noah and Lichen decorated their apartment, what would it look like? It might just resemble the interiors of Dye House, Providence, Rhode Island’s newest boutique hotel. Located in a defunct wool factory in the neighborhood of Olneyville, the building has held an architecture firm, pottery studio, furniture brand, and, yes, even a dye house since first opening in the 1860s. Everett Abitbol, the founder of Deacon Hospitality Group, and Shannon Maldonado, founder and creative director of lifestyle brand Yowie, paired up for their second hospitality collaboration turning the spacious factory into a shoppable hotel and event space that showcases the work of over 15 local artists and designers.
“I was immediately struck by the building’s cool original details like the concrete and brick floors and its industrial look,” says Maldonado. The designer aimed for an updated take on “New England preppy style.” Plus, each of the rooms is different. “Hospitality is still catching on that each room doesn’t have to be the same,” she says.
The Loft, the largest of the suites, features a lounge, kitchen, outdoor kitchen, and seating for 14 guests. The interior is characterized by colorful interpretations of Shaker and New England design classics. Courtesy Dye House
The Loft, the largest of the four suites, includes a separate living space as well as a bathroom that features circular lighting by Artemide, a tennis ball yellow vanity with Ikea base and Reform front, and bedside nightstands designed by local maker Jamie Wolfond in the same neon shade. All of the suites feature work by Olyneyville-area artisans, with many pieces that are available to purchase on the Dye House website and shoppable catalogs with QR codes. There are geometric mirrors from Ben and Aja Blanc, custom headboards from O&G Studio, bespoke benches topped with American Woolen fabric by Rhode Island School of Design professor Christopher Specce, and flatware by J Schatz, a studio run by the two ceramicists who lived and worked in the space before selling the property to Deacon.
Abitbol, who spent 15 years in the transportation industry before the rise of Uber and Lyft, calls himself an “accidental member of the hospitality industry.” His first venture, The Deacon, a revamped historic church in Philadelphia, is now a hotel, community performing arts center, and event space. For him, it’s all about taking community spaces and making sure they continue to provide a place for all. When he came across the old dye house, he knew he had once again found something special.
The Weft Suite features a Pierre Frey mural inspired by 18th-century French art and a Reform kitchenette suitable for one to two guests. Courtesy Dye House
“With all of the mills in the area that have shut down in the last 100 years, nine out of 10 become condos,” he says. “How do we get the community back inside the building?” The hotel will also host food pop-ups in its large event space and kitchen, as Olneyville has been one of the most affected zip codes during the pandemic. “We did an event in Philly that was an assault on all senses and that’s how we imagine collaborative experiences at Dye House,” he says.
The hotel, which opens May 1, not only serves as an example of how hospitality can creatively adapt historic buildings, but also highlights the simple power of neighbors helping neighbors.
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